Dear Evan Hansen
A Powerful Tale of Belonging and Self-Acceptance, Full of Emotional Depth and Artistic Brilliance
Reviewed by Brendan Daynes
The Australian production of Dear Evan Hansen, presented by Michael Cassel Group and Sydney Theatre Company, takes audiences on an emotional journey that resonates across all ages. Under Dean Bryant’s direction, this Pulitzer and Tony-winning musical comes to life with striking authenticity, exploring themes of mental health, social isolation, and the importance of human connection. With its compelling story, outstanding performances, and thoughtful design, the production leaves a lasting impact, moving and inspiring reflection in all who see it.
Central to the production is its title character, brought to life with remarkable depth by Beau Woodbridge. Evan is a socially awkward teenager grappling with crippling anxiety, self-doubt, and a desperate desire to fit in. Woodbridge delivers a captivating performance, embodying Evan’s vulnerability and emotional depth in a way that draws the audience completely into his world. From his hesitant, awkward dialogue to his soaring, heartfelt vocals, he not only does justice to the role but makes it his own, securing his place among the most memorable portrayals of this iconic character.
The plot follows Evan’s journey as a misconstrued letter leads to an unintended but transformative relationship with the grieving Murphy family. Georgia Laga’aia shines as Zoe Murphy, delivering a performance that beautifully balances vulnerability and strength. Her vocals are both emotionally rich and technically flawless, adding depth to every scene. With genuine authenticity, she captures Zoe’s internal conflict, showcasing her immense talent and hinting at a bright future ahead. 
The supporting cast is equally impressive. Natalie O’Donnell delivers a heart-wrenching performance as Cynthia Murphy, a grieving mother searching for hope amidst loss, while Martin Crewes brings a commanding presence and emotional depth to Larry Murphy. Verity Hunt-Ballard as Heidi Hansen is exceptional, portraying Evan’s mother with raw emotion and resilience, capturing the profound sacrifices and unconditional love of a single parent. Jacob Rozario as Jared Kleinman and Carmel Rodrigues as Alana Beck provide much-needed comic relief while still embodying the complexities of their characters. Harry Targett’s Connor Murphy is hauntingly powerful, bringing a raw intensity that underscores the tragic themes of the story.
The production’s creative team deserves high praise for their innovative vision, which seamlessly combines simplicity and sophistication. Jeremy Allen’s minimalist set design allows the performances and story to take centre stage, enhancing the production’s intimacy and drawing audiences closer to the characters’ emotional journeys. This understated approach, paired with dynamic lighting and David Bergman’s striking video design, creates a world that feels both expansive and deeply personal.
Bergman’s use of social media imagery envelops the stage in a vivid, digital landscape, reflecting the interconnected yet isolating nature of the internet. The projections add both visual depth and emotional resonance, highlighting pivotal moments with remarkable clarity and impact. Matt Scott’s lighting design is another highlight, transitioning effortlessly between the stark, isolating blues of Evan’s mind and the warm, hopeful hues of connection.
Isabel Hudson’s costume design is equally effective, grounding each character in realism while subtly reflecting their personalities and emotional states. The movement, directed by Shannon Burns, is deceptively simple yet powerful. It propels the narrative forward, adding energy and urgency without ever feeling intrusive. The characters’ physicality aligns seamlessly with their emotional journeys, showcasing the cast’s versatility and commitment.
Andrew Poppleton’s sound design ensures every lyric and note is heard, while Zara Stanton’s music direction and Laura Tipoki’s supervision breathe life into Benj Pasek and Justin Paul’s hauntingly beautiful and profoundly moving score, which are the heart and soul of the production.
Dean Bryant’s direction reflects his nuanced understanding of the material. He brings a delicate balance to the production, ensuring its themes of grief, anxiety, and self-discovery resonate without feeling heavy-handed. This is a show that speaks to everyone—the socially anxious teenager, the grieving parent, the outcast longing to belong—highlighting the timeless relevance of Evan’s story.
Dear Evan Hansen is a poignant story about truth, connection, and the resilience of the human spirit. It highlights that while social media creates the illusion of closeness, true connection demands authenticity. This Australian production, with its emotionally charged performances and innovative design, speaks to the heart of what it means to be human. Both entertaining and thought-provoking, it brings a sense of comfort in an often isolating world, leaving a lasting impact on its audience.
Dear Evan Hansen runs at the Arts Centre Melbourne until 16th February 2025. Whether you are a long-time fan of the musical or experiencing it for the first time, this is a production not to be missed. For more information or to purchase tickets visit https://www.dearevanhansenmusical.com.au/
